Tags: Special

The Twilight Saga: Eclipse (Two-Disc Special Edition)

The Twilight Saga: Eclipse (Two-Disc Special Edition)

It all begins… with a choice. In the third chapter of Stephenie Meyer’s phenomenal Twilight series, Bella Swan is surrounded by danger as Seattle is hit by a string of murders and an evil vampire continues her quest for revenge. In the midst of it all, Bella is forced to choose between her love, Edward Cullen, and her friend, Jacob Black—knowing that her decision may ignite the ageless struggle between vampire and werewolf.The third installment of Stephenie Meyer’s blockbuster vampire series is its most action packed, both in terms of fight scenes and human-vampire-werewolf lovin’. In Eclipse, the vampiric Cullen clan and the werewolves–their sworn enemies–unite against an army of “newborn” vampires, whose remnants of human blood in their veins makes them stronger and more uncontrollable, causing a string of murders in the Seattle area. They’ve been created by the vengeful vampire Victoria (Bryce Dallas Howard, taking over for Rachelle Lefevre), still keen on destroying human Bella (Kristen Stewart). Thus, Bella is under careful watch, and her undead love Edward (Robert Pattinson) and werewolf best friend Jacob (Taylor Lautner) spend a lot of time arguing over who is the better man for her. (In one hilarious scene where Bella’s freezing and only Jacob has the lupine body heat to warm her, he looks over at Edward and cracks, “I am hotter than you.” Go Team Jacob!) But there’s more at the heart of the triangle than love: Bella, against Edward’s warnings, doesn’t want to grow older than him and would willingly give up contact with her parents, the chance to grow old with children, and more to be turned into a bloodthirsty vampire. (Jacob’s trump card is that Bella wouldn’t have to give up her mortality to be with him.) But the unfolding of this love triangle is even clumsier than it was on the page; you’re never really convinced Bella has romantic feelings for Jacob, even during their climactic kiss on top of the mountain. This is likely to confuse non-readers of the book series, as Stewart emotes nothing that intones there’s a real competition here (clearly, she’s Team Edward).

Pattinson, on the other hand, appears to have overcome his awkwardness to become a much cooler Edward; Howard, while missing Lefevre’s mischief as Victoria, brings her own touch of soft-spoken manipulation; and Billy Burke, as Bella’s father Charlie, continues to steal every scene he’s in. The other Cullens also get far more play here, notably Rosalie (Nikki Reed), whose revealing back story is touching and tragic, and Jasper (Jackson Rathbone), who trains everyone in combat and who, halfway through the movie, adopts a sudden Southern accent that he didn’t have before, once it’s revealed he was a Confederate soldier (on a side note, it’s mentioned in the books that Jasper can calm the emotions of others, but that trait isn’t used in the movie). The climactic fight scene is well staged by director David Slade (30 Days of Night, Hard Candy); the violence, while not bloody, is still more abundant and disturbing than in the previous films; and the sex, while not actually happening between anyone (yet), is certainly on everyone’s mind (but Edward wants to get married first). It seems the characters, and the series, are growing up. –Ellen A. Kim

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Transformers (Two-Disc Special Edition + BD Live) [Blu-ray] Reviews

Transformers (Two-Disc Special Edition + BD Live) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Closed-captioned; Color; Widescreen

From director Michael Bay and executive producer Steven Spielberg comes a thrilling battle between the heroic Autobotsr and the evil Decepticonsr. When their epic struggle comes to Earth, all that stands between the Decepticonsr and ultimate power is a clue held by young Sam Witwicky (Shia LaBeouf). Unaware that he is mankind’s last chance for survival, Sam and Bumblebee, his robot disguised as a car, are in a heart-pounding race against an enemy unlike anything anyone has seen before. It’s the incredible, breath-taking film spectacular that USA Today says ”will appeal to the kid in all of us.””I bought a car. Turned out to be an alien robot. Who knew?” deadpans Sam Witwicky, hero and human heart of Michael Bay’s rollicking robot-smackdown fest, Transformers. Witwicky (the sweetly nerdy Shia LaBeouf, channeling a young John Cusack) is the perfect counterpoint to the nearly nonstop exhilarating action. The plot is simple: an alien civil war (the Autobots vs. the evil Decepticons) has spilled onto Earth, and young Sam is caught in the fray by his newly purchased souped-up Camaro. Which has a mind–and identity, as a noble-warrior robot named Bumblebee–of its own. The effects, especially the mind-blowing transformations of the robots into their earthly forms and back again, are stellar.

Fans of the earlier film and TV series will be thrilled at this cutting-edge incarnation, but this version should please all fans of high-adrenaline action. Director Bay gleefully salts the movie with homages to pop-culture touchstones like Raiders of the Lost Ark, King Kong, and the early technothriller WarGames. The actors, though clearly all supporting those kickass robots, are uniformly on-target, including the dashing Josh Duhamel as a U.S. Army sergeant fighting an enemy he never anticipated; Jon Voight, as a tough yet sympathetic Secretary of Defense in over his head; and John Turturro, whose special agent manages to be confidently unctuous, even stripped to his undies. But the film belongs to Bumblebee, Optimus Prime, and the dastardly Megatron–and the wicked stunts they collide in all over the globe. Long live Transformers! –A.T. Hurley

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Star Trek (Two-Disc Digital Copy Edition)

The greatest adventure of all time begins with Star Trek, the incredible story of a young crew’s maiden voyage onboard the most advanced starship ever created: the U.S.S. Enterprise. On a journey filled with action, comedy and cosmic peril, the new recruits must find a way to stop an evil being whose mission of vengeance threatens all of mankind. The fate of the galaxy rests in the hands of bitter rivals. One, James Kirk (Chris Pine), is a delinquent, thrill-seeking Iowa farm boy. The other, Spock (Zachary Quinto), was raised in a logic-based society that rejects all emotion. As fiery instinct clashes with calm reason, their unlikely but powerful partnership is the only thing capable of leading their crew through unimaginable danger, boldly going where no one has gone before.
J.J. Abrams’ 2009 feature film was billed as “not your father’s Star Trek,” but your father will probably love it anyway. And what’s not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they’ll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who’s prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).

The action and visuals make for a spectacular Big-Screen Movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, “Damnit, man, I’m a doctor, not a physicist!” An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. –David Horiuchi

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Inglourious Basterds (Two-Disc Special Edition) [Blu-ray]

Inglourious Basterds (Two-Disc Special Edition) [Blu-ray]

Brad Pitt takes no prisoners in Quentin Tarantino’s high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as “The Basterds,” is on a daring mission to take down the leaders of the Third Reich. Bursting with “action, hair-trigger suspense and a machine-gun spray of killer dialogue” (Peter Travers, Rolling Stone), Inglourious Basterds is “another Tarantino masterpiece” (Jake Hamilton, CBS-TV)!Although Quentin Tarantino has cherished Enzo G. Castellari’s 1978 “macaroni” war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There’s a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol’ boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps–and he means that literally. Even as Raine’s band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as “The Jew Hunter.” Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.

Now, this isn’t one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler’s den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It’s testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds.

Again, be warned: This is not your “Greatest Generation,” Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino’s latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled “golem” fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show “Adolf Hitler defeated by cinema.” Cinema wins. –Richard T. Jameson

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Star Trek (Three-Disc Edition) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Dubbed; Special Edition; Subtitled; Widescreen

The greatest adventure of all time begins with Star Trek, the incredible story of a young crew’s maiden voyage onboard the most advanced starship ever created: the U.S.S. Enterprise. On a journey filled with action, comedy and cosmic peril, the new recruits must find a way to stop an evil being whose mission of vengeance threatens all of mankind. The fate of the galaxy rests in the hands of bitter rivals. One, James Kirk (Chris Pine), is a delinquent, thrill-seeking Iowa farm boy. The other, Spock (Zachary Quinto), was raised in a logic-based society that rejects all emotion. As fiery instinct clashes with calm reason, their unlikely but powerful partnership is the only thing capable of leading their crew through unimaginable danger, boldly going where no one has gone before.


J.J. Abrams’ 2009 feature film was billed as “not your father’s Star Trek,” but your father will probably love it anyway. And what’s not to love? It has enough action, emotional impact, humor, and sheer fun for any moviegoer, and Trekkers will enjoy plenty of insider references and a cast that seems ideally suited to portray the characters we know they’ll become later. Both a prequel and a reboot, Star Trek introduces us to James T. Kirk (Chris Pine of The Princess Diaries 2), a sharp but aimless young man who’s prodded by a Starfleet captain, Christopher Pike (Bruce Greenwood), to enlist and make a difference. At the Academy, Kirk runs afoul of a Vulcan commander named Spock (Zachary Quinto of Heroes), but their conflict has to take a back seat when Starfleet, including its new ship, the Enterprise, has to answer an emergency call from Vulcan. What follows is a stirring tale of genocide and revenge launched by a Romulan (Eric Bana) with a particular interest in Spock, and we get to see the familiar crew come together, including McCoy (Karl Urban), Uhura (Zoe Saldana), Sulu (John Cho), Chekhov (Anton Yelchin), and Scottie (Simon Pegg).

The action and visuals make for a spectacular Big-Screen Movie, though the plot by Abrams and his writers, Roberto Orci and Alex Kurtzman (who worked together on Transformers and with Abrams on Alias and Mission Impossible III), and his producers (fellow Losties Damon Lindeloff and Bryan Burk) can be a bit of a mind-bender (no surprise there for Lost fans). Hardcore fans with a bone to pick may find faults, but resistance is futile when you can watch Kirk take on the Kobayashi Maru scenario or hear McCoy bark, “Damnit, man, I’m a doctor, not a physicist!” An appearance by Leonard Nimoy and hearing the late Majel Barrett Roddenberry as the voice of the computer simply sweeten the pot. Now comes the hard part: waiting for some sequels to this terrific prequel. –David Horiuchi

Stills from Star Trek (Click for larger image)

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The Lord of the Rings: The Motion Picture Trilogy (Special Extended Edition)

The Lord of the Rings: The Motion Picture Trilogy (Special Extended Edition)

This critically acclaimed epic trilogy follows the quest undertaken by the hobbit, Frodo Baggins, and his fellowship of companions to save Middle-earth by destroying the One Ring and defeating the evil forces of the Dark Lord Sauron. With new and extended scenes carefully added back into the film, the 12-disc set also includes hours of bonus features.The Lord of the Rings: The Fellowship of the Ring: As the triumphant start of a trilogy, The Lord of the Rings: The Fellowship of the Ring leaves you begging for more. By necessity, Peter Jackson’s ambitious epic compresses J.R.R. Tolkien’s classic The Lord of the Rings, but this robust adaptation maintains reverent allegiance to Tolkien’s creation, instantly qualifying as one of the greatest fantasy films ever made. At 178 minutes, it’s long enough to establish the myriad inhabitants of Middle-earth, the legendary Rings of Power, and the fellowship of hobbits, elves, dwarves, and humans–led by the wizard Gandalf (Ian McKellen) and the brave hobbit Frodo (Elijah Wood)–who must battle terrifying forces of evil on their perilous journey to destroy the One Ring in the land of Mordor. Superbly paced, the film is both epic and intimate, offering astonishing special effects and production design while emphasizing the emotional intensity of Frodo’s adventure. Ending on a perfect note of heroic loyalty and rich anticipation, this wondrous fantasy continues in The Two Towers (2002). –Jeff Shannon

The Lord of the Rings: The Two Towers:
The Lord of the Rings: The Two Towers is a seamless continuation of Peter Jackson’s epic fantasy based on the works of J.R.R. Tolkien. After the breaking of the Fellowship, Frodo (Elijah Wood) and Sam (Sean Astin) journey to Mordor to destroy the One Ring of Power with the creature Gollum as their guide. Meanwhile, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom), and Gimli (John Rhys-Davies) join in the defense of the people of Rohan, who are the first target in the eradication of the race of Men by the renegade wizard Saruman (Christopher Lee) and the dark lord Sauron. Fantastic creatures, astounding visual effects, and a climactic battle at the fortress of Helm’s Deep make The Two Towers a worthy successor to The Fellowship of the Ring, grander in scale but retaining the story’s emotional intimacy. These two films are perhaps the greatest fantasy films ever made, but they’re merely a prelude to the cataclysmic events of The Return of the King. –David Horiuchi

Lord of the Rings: The Return of the King: With The Return of the King, the greatest fantasy epic in film history draws to a grand and glorious conclusion. Director Peter Jackson’s awe-inspiring adaptation of the Tolkien classic The Lord of the Rings could never fully satisfy those who remain exclusively loyal to Tolkien’s expansive literature, but as a showcase for physical and technical craftsmanship it is unsurpassed in pure scale and ambition, setting milestone after cinematic milestone as the brave yet charmingly innocent Hobbit Frodo (Elijah Wood) continues his mission to Mordor, where he is destined to destroy the soul-corrupting One Ring of Power in the molten lava of Mount Doom. While the heir to the kingdom of Men, Aragorn (Viggo Mortensen), endures the massive battle at Minas Tirith with the allegiance of the elf Legolas (Orlando Bloom), dwarf Gimli (John Rhys-Davies) and the great wizard Gandalf (Ian McKellen), Frodo and stalwart companion Samwise Gamgee (Sean Astin) must survive the schizoid deceptions of Gollum, who remains utterly convincing as a hybrid of performance (by Andy Serkis) and subtly nuanced computer animation.

Jackson and cowriters Fran Walsh and Philippa Boyens have much ground to cover; that they do so with intense pacing and epic sweep is impressive enough, but by investing greater depth and consequence in the actions of fellow Hobbits Merry (Dominic Monaghan) and Pippin (Billy Boyd), they ensure that Return of the King maintains the trilogy’s emphasis on intimate fellowship. While several major characters appear only briefly, and one (Christopher Lee’s evil wizard, Saruman) relegated entirely to the extended version on DVD, Jackson is to be commended for his editorial acumen; like Legolas the archer, his aim as a filmmaker is consistently true, and he remains faithful to Tolkien’s overall vision. If Return suffers from too many endings, as some critic suggested, it’s only because the epic’s conclusion is so loyally inclusive of the actors–most notably Astin–who gave it such strength to begin with. By ending the LOTR trilogy with noble integrity and faith in the power of imaginative storytelling, The Return of the King, like its predecessors, will stand as an adventure for the ages. –Jeff Shannon

Also on Disc: The extended editions of Peter Jackson’s The Lord of the Rings present the greatest trilogy in film history in the most ambitious sets in DVD history. In bringing J.R.R. Tolkien’s nearly unfilmable work to the screen, Jackson benefited from extraordinary special effects, evocative New Zealand locales, and an exceptionally well-chosen cast, but most of all from his own adaptation with co-writers Fran Walsh and Philippa Boyens, preserving Tolkien’s vision and often his very words, but also making logical changes to accommodate the medium of film. While purists complained about these changes and about characters and scenes left out of the films, the almost two additional hours of material in the extended editions (about 11 hours total) help appease them by delving more deeply into Tolkien’s music, the characters, and loose ends that enrich the story, such as an explanation of the Faramir-Denethor relationship, and the appearance of the Mouth of Sauron at the gates of Mordor. In addition, the extended editions offer more bridge material between the films, further confirming that the trilogy is really one long film presented in three pieces (which is why it’s the greatest trilogy ever–there’s no weak link). The scene of Galadriel’s gifts to the Fellowship added to the first film proves significant over the course of the story, while the new Faramir scene at the end of the second film helps set up the third and the new Saruman scene at the beginning of the third film helps conclude the plot of the second.

To top it all off, the extended editions offer four discs per film: two for the longer movie, plus four commentary tracks and stupendous DTS 6.1 ES sound; and two for the bonus material, which covers just about everything from script creation to special effects. The argument was that fans would need both versions because the bonus material is completely different, but the features on the theatrical releases are so vastly inferior that the only reason a fan would need them would be if they wanted to watch the shorter versions they saw in theaters (the last of which, The Return of the King, merely won 11 Oscars). The LOTR extended editions without exception have set the DVD standard by providing a richer film experience that pulls the three films together and further embraces Tolkien’s world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. –David Horiuchi

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Transformers: Revenge of the Fallen (Two-Disc Special Edition) [Blu-ray]

Transformers: Revenge of the Fallen (Two-Disc Special Edition) [Blu-ray]

One of the most popular, thrill-packed, franchises of all time is back with even more action and more Autobots and Decepticons! In the highly anticipated Transformers: Revenge of the Fallen, Decepticon forces return to Earth on a mission to take Sam Witwicky (Shia LaBeouf) prisoner, after the young hero learns the truth about the ancient origins of the Transformers. Joining the mission to product humankind is Optimus Prime, who forms an alliance with international armies for a second epic battle.

Pure. Popcorn. Entertainment. That’s an exact classification of director Michael Bay’s Transformers: Revenge of the Fallen. Think of Transformers 1 on crack. In other words, this sequel took all of the extreme elements that made fans love the first movie and increased them exponentially. The action is nonstop, with battles and explosions from start to finish. The camera (without any subtlety) exploits Megan Fox’s hotness to the max. As if she weren’t enough, a new sex kitten (Isabel Lucas) is thrown into the equation. Shia LaBeouf is as charismatic as ever, and fills the starring role with ease. And then there’s the humor. Sam’s parents (Kevin Dunn and Julie White)provided some semi-raunchy laugh-out-loud moments in the first movie, but now they take it to the next level. Sometimes it seems like they are trying a little too hard, but it is still hilarious.

As far as the “plot” goes, the writers didn’t waste much time–it’s really just a context for the giant-robot death matches and dramatic slow-mo sequences. The movie kicks off two years later where the Autobots have formed an alliance with the U.S. government, creating an elite team led by Major Lennox (Josh Duhamel), in an effort to snuff out any remaining Decepticons that show up. The bad guys keep coming, and it turns out that a much more menacing force than Megatron is out there–and it is looking for something on Earth that is tied to the very origin of the Transformers race. Fans of the franchise will be delighted by the addition of many new robot characters (there are well over 40 in the sequel, versus only 13 in the first). The second Transformers has shaped up to be one of the worst reviewed and most successful movies of all time. This strange pairing is really just an indication that this movie has one purpose: to entertain. The creators didn’t want to waste time bogging down the action and drama with substance–which was arguably a good decision. –Jordan Thompson

Stills from Transformers: Revenge of the Fallen (Click for larger image)

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Red (Special Edition)

Red (Special Edition)

Frank (Willis) is a former black-ops CIA agent living a quiet life alone… until the day a hit squad shows up to kill him. With his identity compromised, Frank reassembles his old team Joe (Freeman), Marvin (Malkovich) and Victoria (Mirren) and sets out to prove that they still have a few tricks up their sleeves. Stand back and watch the bullets fly in this explosive action-comedy that critics call a rip-roaring good time.

You can take the agent out of the CIA, but you can’t take the CIA out of the agent–or so discovers Frank Moses, to his chagrin. Frank, played by Bruce Willis, simply wants to live his simple life with his government pension. But when a troop of black-ops guys descends on his house one night and blows it to smithereens, Frank realizes he needs to get a few of his old colleagues together and find out what’s what. That’s the premise of Red, a jolly action flick based on a rather more serious graphic novel. Because Frank’s old posse includes kicky roles for Morgan Freeman, John Malkovich, and a tea-pouring, hot-lead-spraying Helen Mirren, the movie boasts a certain appeal just at the “Holy cow, can you believe who’s in this thing?” level. Actually, the rest of the cast is pretty sweet as well: Mary-Louise Parker steals much of the film as Frank’s unsuspecting civilian date (swept into the action because she might innocently become a CIA target, too), Brian Cox hams it up as Frank’s former Soviet adversary (wistfully recalling how he always wanted to assassinate a US president), and Karl Urban (Star Trek) supplies brawn and brains as the current CIA agent in charge of bringing the hammer down on Frank. The breezy tone barely pauses to notice the semi-serious story point at the heart of the plot (a hazily recalled disaster in Guatemala many years earlier), nor the dead bodies that pile up around the edges of the action. Flightplan director Robert Schwentke lets his actors act up, which is not a capital crime given the skills of the cast list, and he shoves the plot along with fitting speed. It’s not art, but as a multiplex diversion, Red scatters a decent share of legitimate jolts and rim-shot one-liners. –Robert Horton

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